Interviewed
exclusively for us by
Keith Hadad
How
did your birthplace of Upstate New York introduce you
to music?
Cara
BethSatalino:
My dad is a musician, and he was always playing music in
the house. He’d have his band over, and they'd jam at
home a lot. He played a lot of folky roots music. He
played fiddle, guitar and mandolin mostly. It was just a
group of guys that got together weekly, so there was
always music in the house. Other than that, I listened
to the radio a lot. I'm 40, so at the time that's all
there was. I was growing up in a rural area, so it
wasn't like I was exposed to a lot of things beyond just
the radio. So I used to tape the radio on a cassette
tape, and that's how I got music a lot of the time. I
would say my dad is a big influence, just seeing someone
having instruments around the house and seeing someone
making their own music. He played by ear mostly, so that
made it seem so accessible to me.
Neil
Young is absolutely my favorite musician. I don't know
what it is. He's got that something that I can never put
my finger on. It’s more of a feeling, like a sincerity
in his music. I'm really drawn to him. I would say REM
was an early influence, like an immediate early
childhood influence. Then later, I moved to Athens,
Georgia, and oh, wow. So they sort of became even more
of an influence on me then. I would say I am also really
drawn to Tom Petty. He’s big for me. Of course, there
are the classic songwriter-songwriters. The people that
can just write a song and the song can be anything. It's
less based around a style than it is about the actual
songwriting. I don't know how else to explain it.
Gillian Welch is somebody that I come back to a lot.
When
you came to Philadelphia, where you are now, did you
find a music community or any like minded artists that
were supportive of your work?
CBS:
I'm starting to. I’ve been coming here quite a lot for
shows throughout my career as a musician. So I have a
pretty solid group of friends and a lot of friends that
I went to school with in New York have since left New
York City and come here. So I have a pretty solid group
of friends in the music world, but I still feel like a
new kid in town. Pretty early on after moving here, I
played in a Sandy Denny/Fairport Convention cover band,
so I made some friends that are in the music scene that
I didn't know already. That’s been really nice. I feel
like everybody's been really welcoming and since the
record came out, some people that I didn't know have
messaged me. So I feel pretty excited about it. I don't
get out much as a mom of a toddler, but it is nice to be
in a bigger city where there's a lot of music happening
and a lot of bands coming through often.
How
long ago did you write these songs, and how long ago
did you record the album?
CBS:
I would say some of them were mostly formed in like
2019-ish. That's only maybe less than half of the songs.
Then the other half was kind of like early 2020. So
maybe five years ago, maybe even longer ago than that,
because my other band that I was fronting, Outer Spaces,
when we were having our last album come out, I was
already kind of working on these songs a lot at home. I
knew I didn't want them to be band songs, so I was kind
of playing around with some things, but I hadn't fully
flushed them out.
Do
you feel that the songs on Little
Green are you processing or coming to terms with
a lot of the upheaval you’ve experienced over the last
several years?
CBS:
Yeah,
definitely.
I think that's also how most of my songwriting
inherently is. Me just exploring personal feelings, but
hopefully, in a way that is relatable to people. This
album feels like a sort of metamorphosis-like situation,
but it's still only cracking the surface of some things
too. I think of it as starting off in this fearful sort
of negative space and then finding my way out of that.
There were a number of reasons for that, but in general,
I feel like the album is sort of hopeful and, even
though some of the more hopeful songs were kind of
written in like a time where I was still very much not,
it wasn't like I had overcome anything. It was like I
needed to write myself a hopeful song or something, you
know? To help me. I don't know. I think that's part of
the album too. I think in the past, I tended to be a
sort of a pessimistic person. So, actively trying to
welcome optimism to get through a hard time was kind of
a new thing for me.
With
these
songs being so personal, does it ever feel difficult
to perform them or does it feel empowering to revisit
them again and again?
CBS:
It makes it easier. For me, I feel like writing music is
my way of trying to explain myself to other people and
present myself to other people and be like, do you get
it now? I'm not so good with expressing myself in other
ways, so to me it feels like, oh, I expressed myself
through this thing, and now maybe you'll understand me.
So it feels great to continually perform the music and
hear it again and again because it feels like I
expressed my feeling, which is a cathartic release for
me.
What
do you want for the listener to walk away with after
hearing the album?
CBS:
With
this
album, I would like for people to feel a sense of
hopefulness. The world really sucks right now, in a lot
of ways, and it's hard to find hope. I just hope it's
something like a balm of some sort for somebody.
How
did the album end up coming out on Worried Songs?
CBS:
Through
my
friend Bob Keel, who is Small Sur. He sent Chaz Human
the record because I had sent it to a few places with no
real luck (but I also wasn't really trying that hard). I
just put it on the back burner a bit. I had sent it to
Bob a while back and he was listening to it and decided
to send it to Chaz. I'm really glad he did, because I
think that it's such a good label. I really like what
Chaz is doing, and just everything about the label just
seems so authentic and well curated, but I also love
that he's doing it out of a love to do it. It felt like
the right fit for me. Then Chaz liked it and got in
touch with me. If that hadn't happened, I'm not sure
that it would be out right now at all. I might have lost
steam with it.
What
are you working on right now that you'd be able to
tell us about?
CBS:
I am working on songs for another record. I have a lot
of material that didn't make the album that I kind of
want to rework. We had 16 songs and then I pared it down
to 10, and that felt cohesive. Since then, I've written
a bunch of new songs, so I have another album's worth of
songs. So I'm just reworking them, and I'd like to
record them maybe at the end of this year, or maybe
sometime next year.
Photo
credit: Justin Flythe
Little Green by Cara Beth
Satalino is an LP on Worried
Songs and was originally released May 3rd, 2024
Produced and engineered by Cara Beth
Satalino and Chester Gwazda in Pennington, NJ, USA
Cara Beth Satalino - voice, guitar, rec
order
Chester Gwazda - bass guitar, keys,
electric guitar, drums
Angie Boylan - drums
Nicholas Merz - pedal st
eel
Dan Kassel - cello
This
feature was originally intended for publication in the
Terrascopædia but publication was delayed (through ill
health) for so long that Cara Beth would be on her
second “Best Of…” collection let alone her next album
before it saw the light of day! – Phil McM.
©
Ptolemaic Press, July 2024
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